Friday, April 10, 2015

Appeared in the


Crosshairs - a musical, #. This is a stamp guiding new layout "Musical Movement", including the fairly primitive logo on the cover, which follows the title (today I got a copy and share my first impressions). Also, as I mentioned earlier, it is accompanied by the titles let me watch this of chapters. As if the schedule says: good will, if we give a stamp of music, and accidentally fell on this one.
Moreover, using the modified graphics font that probably earns additionally, because this is his masterpiece. Work, as we have already mentioned, a little unieczytelniające: high-G with a dash down already mentioned, the small g is as great as the lower tail is chewed, so when someone sees less, it has to guess. I immediately say that the font is even smaller and lighter let me watch this than that of the previous version, "nibbled" or deformed are other letters. Yes, the previous model of was really archaic and had to be changed, but something that would be clear and meaningful. "Movement Music" was read by the EIB (and hopefully will, if it survives) by people of different ages and with different eyes, which seem to forget sorts of "artists" print functionality in general who are somehow in contempt. I remember, let me watch this moreover, much worse examples of how programs lamented Polish Radio Music Festival, which had to be read through a magnifying glass, or "cracked" software sympathetic Nostalgia Festival Poznan, which can not even put on the shelf ...
To remain for a while at the graphical issues, note the total absurdity of wasting four spreads (this also after eight columns!) On the photos concert halls schools of music (musical education is the "opening" of the number), of which, moreover, not all of them are even signed. On the other hand, is a column titled # ad libitum, and accommodate several bzdyczków-sentence, from the information that the National Opera last attempt to launch a new Treliński, by passing it published two books of Andrzej Chłopecki or extremely many appellant note that for example, let me watch this I quote in full - Cinema remixed \ performance under this title, which combines audio and video, took place in the 51st Bydgoszcz Music Festival (21 and 22.09.) - for information let me watch this about the death of prof. Magdalena Czajka, organist at which a square centimeter size photo! Is such a column is in general anyone to do anything you need? Random lines crossing it, like the diagonal dashes after the name of the author and oblique dashes at the bottom of the page (but not much different from each other, these show that the text ends, from those that the text goes to the next column), complete the impression of disorder.
Appeared in the "RM" authors outside the world of music: from "Aunt Jadzia," or Jadwiga Mackiewicz, talking Remigiusz Grzela (and this interview is just OK), surprisingly a lot of space given to Wojciech Kuczokowi (because not only the column, but also one of the few texts on Chopin and His Europe). There is also a column writer Justine Bargielska young. let me watch this Quote: "... I have subsequently invoked groupies, or, as wished chief, let me watch this melomanki will be dead for a long time, as Clara Schumann, the not so old as Linda Eastman, or dead in spe pretty soon, as I will not say who" . I did not know that the most outstanding pianist of his time, he was Clara Schumann, can be defined as a groupie - but, well, I'm not a writer.
The texts, let me watch this yet I could not read everything, but I know of some that are outrageously pokancerowane. This is eg. In the case of Monica Pasiecznik review of girls with matches Helmut Lachenmann (it was a spectacle exposed to Ruhrtriennale, we read only within the text). For example. Is there a lead content of the following appended: "Opera Lachenmann is not a political accusation of anesthesia. It is an attempt to explore the essence of art and creation, and its place in the world. " It was taken from a distorted sentences for the middle of an article: "The Little Match Girl is not only a political indictment of society późnokapitalistycznego of anesthesia; is also an attempt to explore the essence of art and creation, and their place in the world ". So two thick bulls: in the text is that something is not only something (that also this thing is!), In leadzie - that it is; in the text in terms of the place of art and creativity in the world, leadzie - the essence of a place. Nonsense on nonsense. How to something better, you have to understand. But that's nothing: no text at all artist names (with the exception of the conductor and director), and, moreover, I know that originally were; were also cut important passages reviews yet nadredaktor wrote this and that - according to him, "the audience seemed to

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